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14 Cottage St
Blackburn, VIC, 3130
Australia

0413 537 490

The Melbourne Guild of Fine Woodworking was founded by Alastair Boell in 2007. After graduating from the world renowned North Bennet Street School, Boston (USA) Alastair felt that there was a great need in Australia for an educational facility that focuses on traditional skills. 

The Guild is committed to preserving and advancing craft traditions in furniture making. We are also committed to promoting a greater awareness and appreciation of
craftsmanship. In our classes we emphasize the skillful use of hand tools and power equipment and an informed use of appropriate materials. We are passionate about what we do and want to share information, ideas and skills with all our students young and old, from beginner to advanced.

People

Susan Wraight

Tom Beattie

Susan Wraight.jpg

Originally a jeweller, who completed an M.A. in Jewellry and Silversmithing at the Royal Academy of Art, London in 1985, Susan Wraight maintained her scale, but switched mediums and skills and won the National Wood Design Award in the same year. She belongs to a western revival of an eastern tradition of miniature sculptures named Netsuke. Japanese in origin, Netsuke were originally used as toggles and were worn between the Edo period 1615-1868. Trade with the west influenced the style of Japanese dress and eventually rendered the ceremonial Netsuke obsolete.

Susan Wraight embraces the spirit of Netsuke, however respectful of the tradition, she does not use ivory, nor does she engage in any of the customary themes associated with netsuke; flora, myths and fantastic beasts. Instead, she uses non-precious materials, especially wood, and draws on a western vocabulary, in particular our indigenous animal species. As a highly disciplined art form, custom dictates that works must be functional (portable), but not compromised as a work of art. Feathertail Glider adroitly illustrates Wraight's subtle union of Japanese tradition, refinement and discipline with an inventive expression of ideas and energy of western design, which has invested new life into an otherwise dying art practice. The form of Netsuke is paramount; Wraight's compact expression does not indulge in any unnecessary detail. The detail that exists is integral to creating texture, rhythm and movement. Despite the need for elegant restraint, the artist manages to imbue her work with an expressive, sensous and idiosynchratic quality. The smoothness and tactile quality conveyed by the pocket sized Feathertail Glider is responsible in estabishing an intimate interaction between the owner and the piece.

 Susan Wraight's miniature sculptures are distinguished from her Japanese predecessors by their bold design and expression. However, she has skillfully mastered the subtle, yet forminable art of revealing unique qualities possessed by individual creatures and forms. Her present work is focused on things that are hidden and are more ambiguous that traditional netsuke. Her investment in paradox is rewarded when she deliberately chooses a repellent creature, such as a snake and persuasively, but surreptitiously elicits its aspect of beauty. As Wraight asserts, "Netsuke don't shout - they whisper".

Selected Collections

  • H.I.H.Prince Takamado of Japan

  • The Duke of Gloucester

  • The Marchioness of Bute

  • The Office of the President, White House, Washington, U.S.A.

  • British Crafts Council, London, U.K.

  • Ulster Museum, Northern Ireland

  • Henry Kendal Collection, South Australia

  • Melbourne University, Australia

  • Highlands and Islands Development Board, Scotland

  • Art Gallery of Western Australia, Perth

Selected Exhibitions

2004

  • HIH Prince Norihito Takamado Exhibition, Honolulu Academy of Arts, USA

2003

  • The Netsuke Exhibition, Takashimaya Gallery, Yokohama, Japan

2002

  • Masterpieces of Netsuke: Collection of HIH Prince Takamado, Matsumoto City Museum of Art

  • Surface and Form,Craftwest Gallery, Perth

2001

  • Contemporary Netsuke: The Kinsey Collection, Chiba City Museum of Art, Chiba, Japan

2000

  • The Netsuke Exhibition 2000,Seibu Gallery, Tokyo, Japan

1999

  • Contemporary Australian Craft,Hokkaido Museum of Modern Art; touring regional Japan

1998

  • Netsuke from the collection of Prince Takamado Museum of East Asian Art, Berlin

  • Nature as Object, Art Gallery of Western Australia, Perth

1997

  • Contemporary Netsuke: Miniature Sculpture from Japan and beyond, Bowers Museum, U.S.A.

1996

  • Out of this World: The Influence of the Natural World on Craft and Design 1880-1995,Craft Council Gallery and touring, U.K.

1995

  • VicHealth National Craft Award, National Gallery of Victoria, Melbourne

  • The Object All Sublime, Lauraine Diggins Fine Art, Melbourne

1993

  • Treasured Miniatures: Contemporary Netsuke from Japanese Collections, British Museum, U.K.; Los Angeles County Museum of Art, U.S.A.

  • The Art of the Object, Craft Australia exhibition touring Uruguay, Chile and BrazilThe Woodcarver's Craft, British Crafts Council, London

 
categories Instructors
tags Guest, Susan Wraight